Salt Fall/Winter 2014 - page 25

“I love working large,”
Seib says of the four-by-
five-foot canvas she is
working on now in her
studio. She calls
(page 24) the
“piece that started it all”
because it represents
the beginning of her shift
from realism to abstracts.
1...,15,16,17,18,19,20,21,22,23,24 26,27,28,29,30,31,32,33,34,35,...68
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